One of the arrangements really jumped out at me - Yesterdays, which featured Richard Torres on tenor. It seems there are 2 camps of people with opinions about Stan Kenton and his music - you love it or hate it. Should still be very shiny under a light, even with slight amount of dust on surface. Even though I am very familiar with all these Kenton recordings I have to say it has been an immense pleasure to wallow in Kentonia for the past 3 or 4 weeks. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record. This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing.
For records listed as "Fair", we will describe the extent of the condition in the comments. May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more. I simply loved what I heard. Choosing this program was overwhelming to say the least. One of the arrangements really jumped out at me - Yesterdays, which featured Richard Torres on tenor. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks. May have some other significant flaws, such as residue, or a track that skips. May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. May have some slight marks from aging of the paper sleeve on the vinyl. Even though I am very familiar with all these Kenton recordings I have to say it has been an immense pleasure to wallow in Kentonia for the past 3 or 4 weeks. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. Should still shine under a light, but one or two marks may show up when tilted. Very Good Vinyl can have some dirt, but nothing major. May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips. Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. In general, this is a record that was played a fair amount, and handled without care. If we spot any significant flaws, we make every attempt to listen through them and note how they play. I then loaded my numerous Kenton cds into itunes, created a playlist and started listening. Another arrangement I really enjoyed was Malaguena. Listening to, and rehearsing, this music has created some keen interest and curiosity in many of the students. Buddah and ABC pressings from the 70's are a good example of this. Can have a few small marks that may show up easily, but which do not affect play at all. Of course I started with those arrangements and compositions that are readily available through Sierra Music Publications.
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