But the music, all agree, is heavenly. So began a legendary partnership. That is due in large part to the size of the combo -- it was nonet, featuring trombone, French horn, and tuba -- and the overall direction of Davis at this time. Solos are in order by Mulligan baritone sax , Miles, and John Lewis piano. Strangely the band was only together for a few months in and only ever played one public performance at the Royal Roost in
Gerry was at home in the company of any outstanding jazz musicians, as his diverse discography shows. So began a legendary partnership. That is due in large part to the size of the combo -- it was nonet, featuring trombone, French horn, and tuba -- and the overall direction of Davis at this time. They stressed the seamless integration of scored sections with improvised elements. Gerry Mulligan soon split for California a la Jack Kerouac , forming there a pianoless quartet with young Chet Baker and starting the first school of white jazz, West Coast cool. This approach stayed with him for the rest of his life. Alto Saxophone, Horn 2: Meanwhile, back at the ranch, Claude Thornhill was a dinosaur in the post-WWII years, maintaining a Swing-era style dance band whose distinguishing style was slow, dreamy ballads. The opening track is a classic Gerry Mulligan composition, which he continued to use when he wrote the library for his delightful Concert Band. This Gil Evans arrangement is quite possibly one of the most famous jazz arrangements of all time. It is difficult to say who had the greatest influence on these sessions, was it Miles himself, or was it the arranging skills of Gerry Mulligan and Gil Evans? Detailed Description Nonet [6 horns with rhythm section] Horn 1: Arranged by Gil Evans. The personnel mostly became famous jazzmen in their own right, Gerry Mulligan heard here at the start of his career, had already developed an individual tone and a unique style on the baritone saxophone. Tracks 9 to 14 are really nothing to do with tracks 1 to 8, they were recorded 2 years later with a different kind of band. He had recently struck up a friendship and working relationship with Gil Evans, who wrote the charts for the music the nonet cut between January and March In Davis and Evans organized a group of musicians into a working nonet and began to rehearse some new material. It takes a few listens to grasp what is happening on every level of the song, but it never alienates; it invites you to come back and discover what's happening. The music of the West Coast, made hugely popular by Shorty Rogers and the Giants, has its roots and ensemble sound in these recordings. Solos are in order by Mulligan baritone sax , Miles, and John Lewis piano. Edited by Jeffrey Sultanof. The presence of Jackie McClean on alto makes them interesting however. That's always been true of Davis' work, and there are few better introductions to this timeless, innovative period of his career than this version of "Boplicity. But over the years this effort became a legend, known as The Birth of the Cool. His own style remained the same.
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